Untitled, by Derrick Wilson, Yes or No, by Laura Ten Eyck background 
Yurt City, an outdoor, collaborative tent and
yurt installation by New York based, Canadian artists, Sheila Ross and Laura
Ten Eyck was first installed at Dam Stuhltrager Gallery. The accompanying images are
from that installation. Ross and Ten Eyck installed several small tents of
varying height and a prefab yurt structure, which had been ornately embellished
on the interior. It served as a focal
point, a de facto meeting ground for several other tent structures. Other
artists were invited to collaborate by adding, modifying, or responding to
these tents. Ten Eyck created her own intervention in a one-person pup tent. It
is titled Yes or No.
Initially Yurt City was conceived in response to the ongoing housing crisis of
New York city with increasingly unaffordable rents for housing/studio space. In
this first incarnation of Yurt City, it was installed in the gallery's
Sculpture Garden located in in Williamsburg Brooklyn, a neighbourhood
undergoing a transformation of rampant development, displacing residents,
including the local artist community. Yurt City is a response to this lack of
space for artists to make and exhibit their work. Yurt City provides a venue
for artists to participate, collaborate and foster a sense of community. The
venue was as an outdoor laboratory for the development of temporary, ad hoc,
and vernacular architecture and adjunct forms in relationship to personal,
practical, and Utopian notions of community and landscape. Yurt City also pays
homage to the importance of the guest in various, and especially Nomadic
cultures, as the inclusion and participation of the guest artist is integral to
the concept of this project.
Part camping experience, part tent city response to the urban housing issues,
and part homage to Nomadic yurt dwellers of Central Asia, Yurt City uses the
architectural elements to reflect on different experiences of structure in the
urban landscape. While indebted to the spirit of tent cities, or the shantytown
phenomenon called Gecekondu, Turkish for “built in one night,” the tents of
Yurt City their modifications and additions were built sturdily enough to
remain for the two month duration of this first exhibition. It was our hope
that Yurt City, keeping with the ad hoc spirit of the nomadic, temporary tent
city or Gecekondu, would prove to be transformative for viewers and guest
artists alike and will continue to do so as it grows and evolves into ongoing
incarnations.
